At this point, it sounds like a lead synth not a bass synth. In the first audio clip below, made using a Korg Minilogue analog synthesizer, we set Oscillators 1 and 2 both to sawtooth waves without tuning and each to +1 octave. Either way, a sub oscillator will add much depth and roundness to a bass sound. The most common sub oscillator is a square wave, but sine waves are also seen. Other synthesizers, whether hardware or DAW, will offer sub oscillators-an oscillator that is one active below the oscillator with which it is paired. Most synthesizers will also offer more than one oscillators, which will allow players to explore the different combinations we discuss below. Drop the square or saw down an octave or two, low-pass filter it, and play with the resonance to add some more color and depth. Many synths will offer pulse width modulation to add some depth to the square/pulse waveform. A triangle wave would work too, but it can be a bit too thin for what weвЂ™re looking to do. Of the four main analog waveforms, either square/pulse and sawtooth would be a great place to start when crafting a deep bass sound. These are synths that novices might eventually experiment with, but for now they would introduce a bit too much complexity. Since FM and wavetable synthesis are completely different beasts than either analog synthesis or sampling a bassline and tweaking it, we will leave them out of this discussion. For now, however, this guide will send you on your merry music-making way. Again, there are different schools of thought, which we encourage you to explore as you learn more about synthesis and music production. In this blog, we take a look at a few techniques and approaches that will serve as a solid foundation for musicians and producers learning music production. And iconic bass sounds from very specific gear, or samples thereof, are oft-used for a reason-they sound great, particularly in popular mainstream and underground genres. Certain waveforms work better than others, though no strict rules exist. While getting a deep sounding bassline is a matter of taste, itвЂ™s also a product of some tried and true techniques and approaches that yield consistent results. And then there are musicians and producers who much prefer certain go-to samples for their deep, fat bass sounds, and others still who like to use their DAW.

Some might prefer a certain analog synthesizer, others an old-school FM synth. No two people, even if operating in the same genre, are going to be in complete agreement over how it should be done and with which tools to use. Like anything in music production, bass sound preferences are many and varied.

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